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Generations: A 2-city duplicate bridge community wraps up its summer season

The Bemidji duplicate bridge group plays at the Eagles Club each Tuesday during the summer season, where there is convenient parking, a nice space and good food available.

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Members of the Bemidji duplicate bridge groups play at the Eagles Club. Pictured in front from left: Gwen Nestaval and Mary Chernugal play Sheila Tuhy and Judy Schrupp. Sitting out: Peggy Wehrenberg and Linda Lee. Farthest back: Loren Baumann and Gary Bruns play Greg and Carol Zenk. Middle table: Dick Robbins and Greg Platt play against Pat Roth and Liz Neff. Right: Paul Lee and Ev Duthoy play Donn Kuhn and Mona Arch.
Courtesy / Sue Bruns

Before the game begins, I visit with as many of the bridge players as possible. Often our conversations end with a referral to another player to talk to.

“You really have to talk to Dick,” George says. And later Liz tells me, “You’ve got to talk to Ev,” and points me in his direction.

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I’m greeted as a welcome guest. They think I’m here to play duplicate bridge.

“No,” I apologize, “but my husband is. I’m here to write a story.”

Gary learned to play during Navy boot camp and honed his skills below the flight deck on an aircraft carrier during two deployments to Vietnam.

Years ago, he played duplicate bridge with some of Bemidji’s originals who had started playing in the 1960s at the Elks Club: Jim Smalley, Ron Studer, Edna Nei, Evelyn Ashley, Shelly Schwartz, Elwin Rakke. All of these names and a few more were familiar to me.

In the early days, the Bemidji group had as many as 50 members. Gary often shared details about the people he played with or brought home recipes from Edna, who regularly hosted the group at her home for special get-togethers. I’d been included in some of those events and was always in awe of Edna’s appetizers and desserts.

Today the group plays at the Eagles, where there is convenient parking, a nice space and good food available. Some come early for lunch before play begins at 12:30.

“They have great soups here,” Carol Zenk tells me.

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Most of today’s players are retired, from a variety of professions: doctor, teacher, nurse, contractor, accountant, etc. I learn that, like Liz Neff, they’re busy with other hobbies and sports outside of bridge: woodworking, quilting, golf, tennis, pickleball, traveling, gardening. Many of them are summer residents in Minnesota and winter in California, Arizona, Texas or elsewhere.

Carol and George Zenk live on Lake Havasu in Arizona most of the year and play bridge there until they come to their summer place on Lake Kitchi and play in Bemidji and Park Rapids from May through September.

George is the director of the Bemidji duplicate group; he sets up the boards, tabulates the scores, ranks the teams and communicates the results.

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Paul Lee and Ev Duthoy play Donn Kuhn and Mona Arch in duplicate bridge at the Eagles Club.
Courtesy / Sue Bruns

To have enough bridge players, the Bemidji group coordinates with the Park Rapids group.

“We’re a two-city bridge community,” George says. Six or seven players come each Tuesday from Park Rapids to play in Bemidji at the Eagles; six Bemidji players usually play in Park Rapids on Thursdays at the Sr. Center. Sheila Tuhy is their director. Between the two groups, each event usually has four or five tables.

Today there are 18 players — nine teams — at four tables. Because there are not enough players for five tables, one team sits out each round. They rotate until each team has played every other team.

At the start of the game, George reads off the teams and the east/west or north/south designations, the positioning of players at the tables. Duplicate bridge is played differently than party bridge in that the hands are “duplicated” and players at different tables play the same hands which are dealt out ahead of time in sets of three “boards.”

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Unlike party bridge, where the object is to rack up points for winning hands, duplicate bridge takes things a giant step further, scoring how well each team played the hands compared to the other teams.

Dick Robbins says some people are afraid to try duplicate: “Some refuse to play it, but they’d enjoy it so much more if they did. It’s a learning process.”

When play starts, the room is quiet. I move about, inconspicuously (I hope) to take a few pictures. It feels like an intrusion — as if I’m taking unsolicited pictures in a church during a service. Everyone is concentrating. Mental energy fills thought bubbles above the players’ heads.

Music from the kitchen provides a distraction and one bridge player requests that it be shut off.

There is bidding going on at the tables and, after a hand, some analysis and questioning. I see Gary listening to Dick and Loren after one board as they discuss other ways the hands could have been played. This is also a learning experience.

Gary’s partner is Loren Baumann, a bridge Silver Master. Gary had played with him several years ago at the American Legion. Loren has often played with Dick, a fourth-level Ruby Master who says he’s been playing bridge for 81 years.

He started playing as a kid with his family. In the “off-season,” Dick will live and play in Laguna Woods, California, at a club that has over 600 members including top players in California, like No. 1 professional bridge player Mark Itabaschi. (Liz swears Dick can read minds, and whenever she struggles with a play has adopted the mantra, “What would Dick do?”)

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Duplicate bridge players meet at the Bemidji Eagles on Tuesdays during the 2023 summer season. At the nearest table, Pat Roth (in green) and her partner Liz Neff play Judy Schrupp and Sheila Tuhy. Behind them George and Carol Zenk sit out. At the table to the right, Gary Bruns and partner Loren Baumann play Gwen Nestaval and Mary Chernugal.
Courtesy / Sue Bruns

After the second round, Liz brings out treats, the players grab snacks, and the teams rotate again. I visit with Ev Duthoy, a 93-year-old retired urologist who lives in Park Rapids.

He’s been playing duplicate bridge for 30 years. After retiring in 1988, he did volunteer surgery around the world and has played all across the globe: Dubai, Greece, Italy, Australia, Haiti and Vietnam.

I catch Gary for a brief question. He says he’s definitely feeling rusty, but Dick says Gary just made two really good bids against him — high praise from the Ruby Master. I’m guessing Gary wishes he’d joined the group before the end of the season.

He and Loren have now rotated to the table closest to me (with Liz and Pat Roth). After one hand, I hear Gary ask Loren, “What would you have rather had me bid?” Loren, who also teaches bridge, uses the question as a teaching moment, not just for his partner but for Liz and Pat, too, recounting the play and how it could have gone.

“There’s always something you could’ve played differently,” Loren says.

And maybe that’s the lesson here — for bridge and for life.

Sue Bruns writes a monthly Generations column and occasional features for the Bemidji Pioneer.
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